Master Classes and Performances in the Boulez Saal (Berlin)
For the sixth consecutive year, the Pierre Boulez Saal and Thomas Hampson present Schubert Week – a week dedicated to Schubert Lieder featuring daily concerts, workshops, and other events in Berlin.
Just a few streets away from Franz Schubert’s birthplace in the Vienna district of Alsergrund, Hugo Wolf died on February 22, 1903. But these two foremost song composers of the 19th century are connected by much more than a biographical coincidence. Curated by Thomas Hampson, the program of the Pierre Boulez Saal’s 2024 Schubert Week will spotlight parallels and contrasts in their oeuvres and examine the music of Schubert and Wolf in a larger historical context by pairing their works with those of other composers. As in seasons past, acclaimed lied performers and rising young artists will be heard in concerts and workshops.
The live-stream events are as follows:
Friday, January 26, 3 pm CET / 9am EST: Public Workshop I
Saturday, January 27, 3 pm CET / 9am EST: Public Workshop II
Sunday, January 28, 3 pm CET / 9am EST: Closing Concert
You can watch these events free of charge below.
Live-streaming for the 2024 Schubert Week is made possible by the Hampsong Foundation in cooperation with the Elke und Wolfgang Kuentzle Stiftung and the Verein der Freunde & Förderer des Hampsong-Fonds Deutschland e.V.
The Schubert Week is a cooperation between the Pierre Boulez Saal and the Lied Zentrum of the Heidelberger Frühling music festival (Lied Akademie), with support from the Hampsong Foundation.
For more information about Schubert Week, please visit the Pierre Boulez Saal website.
Friday, January 26, 2024
Public Workshop I with Thomas Hampson
Friday, January 26, 2024 Workshop Program
Friday, January 26, 2024
Public Workshop with Thomas Hampson
3 pm CET / 9am EST
Suleika I, “Was bedeutet die Bewegung” D 720
Zwei Lieder, op. 14, no. 1
Music: Franz Schubert (1797 – 1828)
Text: Marianne von Willemer (1784 – 1860)
Lieder.net
Michèle Bréant, soprano | Wan-Yen Li, piano
Wenn du, mein Liebster, steigst zum Himmel auf
Italienisches Liederbuch, no. 36
Music: Hugo Wolf (1860-1903)
Text: Paul Heyse (1830 – 1914)
Lieder.net
Maria Tilibtsev, mezzo-soprano | Anna Gebhardt, piano
Nähe des Geliebten D 162
Music: Franz Schubert
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
Aiko Bormann, soprano | Wan-Yen Li, piano
Alinde D 904
Music:Franz Peter Schubert (1797 – 1828)
Text: Johann Friedrich Rochlitz (1769 – 1842)
Lieder.net
Bruno Meichsner, baritone | Wan-Yen Li, piano
Saturday, January 27, 2024
Public Workshop II with Thomas Hampson
Saturday, January 27, 2024 Workshop Program
Program is subject to change without notice.
Saturday, January 27, 2024
Public Workshop with Thomas Hampson
3 pm CET / 9am EST
An den Mond “Geuß, lieber Mond” D 193
Drei Lieder, D 193, no. 3
Music: Franz Schubert (1797 – 1828)
Text: Ludwig Heinrich Christoph Hölty (1748 – 1776
Lieder.net
David Kennedy, baritone | Anna Gebhardt, piano
Lied vom Winde
Mörike-Lieder, no. 38
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Catalina Geyer, mezzo-soprano | Lucas Huber Sierra, piano
Nachtzauber
Eichendorff-Lieder, no. 8
Music: Hugo Wolf (1860-1903)
Text: Joseph Karl Benedikt, Freiherr von Eichendorff (1788 – 1857)
Lieder.net
Sina Günther, mezzo-soprano | Lucas Huber Sierra, piano
Nachtviolen D 752
Music: Franz Schubert (1797 – 1828)
Text: Johann Baptist Mayrhofer (1787 – 1836)
Lieder.net
Luzia Ernst, mezzo-soprano | Lucas Huber Sierra, piano
Sunday, January 28, 2024
Workshop Closing Concert
Sunday, January 28, 2024 Workshop Closing Concert Program
Program is subject to change without notice.
Sunday, January 28, 2024
Workshop Closing Concert
3 pm CET / 9am EST
Das Ständchen
Eichendorff-Lieder, no. 4
Music: Hugo Wolf (1860–1903)
Text: Joseph Karl Benedikt, Freiherr von Eichendorff (1788 – 1857)
Lieder.net
David Kennedy, baritone | Elitsa Desseva, piano
An die untergehende Sonne D 457
Music: Franz Schubert (1797–1828)
Text: Ludwig Gotthard Theobul Kosegarten (1758 – 1818)
Lieder.net
Aiko Bormann, soprano | Lucas Huber Sierra, piano
Auflösung D 807
Music: Franz Schubert (1797–1828)
Text: Johann Baptist Mayrhofer (1787 – 1836)
Lieder.net
Sina Günther, mezzo-soprano | Wan-Yen Li, piano
Die Götter Griechenlands D 677
Music: Franz Schubert (1797–1828)
Text: Friedrich von Schiller (1759 – 1805)
Lieder.net
Luzia Ernst, mezzo-soprano | Elitsa Desseva, piano
Der Tod und das Mädchen D 531
Music: Franz Schubert (1797–1828)
Text: Matthias Claudius (1740 – 1815)
Lieder.net
Maria Tilibtsev, Elitsa Desseva
Der Jüngling und der Tod D 545
Music: Franz Schubert (1797–1828)
Text: Joseph von Spaun (1788 – 1865)
Lieder.net
David Kennedy, baritone | Anna Gebhardt, piano
Der Genesene an die Hoffnung
Music: Hugo Wolf (1860–1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Sina Günther, mezzo-soprano | Anna Gebhardt, piano
Auch kleine Dinge können uns entzücken
Italienisches Liederbuch, no. 36
Music: Hugo Wolf (1860-1903)
Text: Paul Heyse (1830 – 1914)
Lieder.net
Michèle Bréant, soprano | Wan-Yen Li, piano
Mausfallen-Sprüchlein
Sechs Lieder für eine Frauenstimme, no. 6
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Maria Tilibtsev, mezzo-soprano | Wan-Yen Li, piano
Der Tambour
Mörike-Lieder, no. 5
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Bruno Meichsner, baritone | Lucas Huber Sierra, piano
Auf dem See D 543
Music: Franz Schubert (1797–1828)
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
Sina Günther, mezzo-soprano | Lucas Huber Sierra, piano
Der Winterabend D 938
Music: Franz Schubert (1797–1828)
Text: Karl Gottfried von Leitner (1800 – 1890)
Lieder.net
Bruno Meichsner, baritone | Elitsa Desseva, piano
Willkommen und Abschied D 767
Music: Franz Schubert (1797–1828)
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
David Kennedy, baritone | Anna Gebhardt, piano
Heimliches Lieben D 922
Music: Franz Schubert (1797–1828)
Text: Karoline Louise von Klenke (1754 – 1802)
Lieder.net
Catalina Geyer, mezzo-soprano | Wan-Yen Li, piano
Der Gärtner
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Luzia Ernst, mezzo-soprano | Wan-Yen Li, piano
Zitronenfalter im April
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Michèle Bréant, soprano | Elitsa Desseva, piano
Du denkst mit einem Fädchen mich zu fangen
Italienisches Liederbuch, no. 36
Music: Hugo Wolf (1860-1903)
Text: Paul Heyse (1830 – 1914)
Lieder.net
Michèle Bréant, soprano | Elitsa Desseva, piano
Nimmersatte Liebe
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Catalina Geyer, mezzo-soprano | Anna Gebhardt, piano
Die Männer sind méchant D 866/3
Music: Franz Schubert (1797–1828)
Text: Johann Gabriel Seidl (1804 – 1875)
Lieder.net
Maria Tilibtsev, mezzo-soprano | Elitsa Desseva, piano
Du liebst mich nicht D 756
Music: Franz Schubert (1797–1828)
Text: August von Platen-Hallermünde (1796 – 1835)
Lieder.net
Catalina Geyer, mezzo-soprano | Anna Gebhardt, piano
Du bist die Ruh D 776
Music: Franz Schubert (1797–1828)
Text: Friedrich Rückert (1788 – 1866)
Lieder.net
Michèle Bréant, soprano | Elitsa Desseva, piano
Anakreons Grab
Music: Hugo Wolf (1860-1903)
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
Luzia Ernst, mezzo-soprano | Lucas Huber Sierra, piano
Auf einer Wanderung
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)Lieder.net
Aiko Bormann, soprano | Wan-Yen Li, piano
In cooperation with
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Pierre Boulez Saal
The goal of the Pierre Boulez Saal is to offer “Music for the thinking ear”: audiences are invited to listen actively and to experience sound with all senses, letting emotions, thoughts, and visual as well as aural impressions come together to create a complex whole. The “thinking ear” does not represent the abstract or cerebral, but rather a sort of sensuousness—not unlike “grasping” a particularly beautiful or unusual object. This extraordinary concert hall provides a space for dialogue in which music can be shared on multiple levels. Many influences—cultural, artistic, humanistic, architectural, and historical—combine to create a place where people should be able to communicate, to listen, and to understand.
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