video:

Schubert Week in Berlin
(Jan. 22-28, 2024)

Master Classes and Performances in the Boulez Saal (Berlin)

For the sixth consecutive year, the Pierre Boulez Saal and Thomas Hampson present Schubert Week – a week dedicated to Schubert Lieder featuring daily concerts, workshops, and other events in Berlin.

Just a few streets away from Franz Schubert’s birthplace in the Vienna district of Alsergrund, Hugo Wolf died on February 22, 1903. But these two foremost song composers of the 19th century are connected by much more than a biographical coincidence. Curated by Thomas Hampson, the program of the Pierre Boulez Saal’s 2024 Schubert Week will spotlight parallels and contrasts in their oeuvres and examine the music of Schubert and Wolf in a larger historical context by pairing their works with those of other composers. As in seasons past, acclaimed lied performers and rising young artists will be heard in concerts and workshops.

The live-stream events are as follows:

Friday, January 26, 3 pm CET / 9am EST: Public Workshop I

Saturday, January 27, 3 pm CET / 9am EST: Public Workshop II

Sunday, January 28, 3 pm CET / 9am EST: Closing Concert

You can watch these events free of charge below.

Live-streaming for the 2024 Schubert Week is made possible by the Hampsong Foundation in cooperation with the Elke und Wolfgang Kuentzle Stiftung and the Verein der Freunde & Förderer des Hampsong-Fonds Deutschland e.V.

The Schubert Week is a cooperation between the Pierre Boulez Saal and the Lied Zentrum of the Heidelberger Frühling music festival (Lied Akademie), with support from the Hampsong Foundation.

For more information about Schubert Week, please visit the Pierre Boulez Saal website.

Friday, January 26, 2024

Public Workshop I with Thomas Hampson

Friday, January 26, 2024 Workshop Program

Friday, January 26, 2024
Public Workshop with Thomas Hampson
3 pm CET / 9am EST

 

Suleika I, “Was bedeutet die Bewegung” D 720
Zwei Lieder, op. 14, no. 1
Music: Franz Schubert (1797 – 1828)
Text: Marianne von Willemer (1784 – 1860)
Lieder.net
Michèle Bréant, soprano | Wan-Yen Li, piano

Wenn du, mein Liebster, steigst zum Himmel auf
Italienisches Liederbuch, no. 36
Music: Hugo Wolf (1860-1903)
Text: Paul Heyse (1830 – 1914)
Lieder.net
Maria Tilibtsev, mezzo-soprano | Anna Gebhardt, piano

Nähe des Geliebten D 162
Music: Franz Schubert
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
Aiko Bormann, soprano | Wan-Yen Li, piano

Alinde D 904
Music:Franz Peter Schubert (1797 – 1828)
Text: Johann Friedrich Rochlitz (1769 – 1842)
Lieder.net
Bruno Meichsner, baritone | Wan-Yen Li, piano

Saturday, January 27, 2024

Public Workshop II with Thomas Hampson

Saturday, January 27, 2024 Workshop Program

Program is subject to change without notice.

Saturday, January 27, 2024
Public Workshop with Thomas Hampson
3 pm CET / 9am EST

An den Mond “Geuß, lieber Mond” D 193
Drei Lieder, D 193, no. 3
Music: Franz Schubert (1797 – 1828)
Text: Ludwig Heinrich Christoph Hölty (1748 – 1776
Lieder.net
David Kennedy, baritone | Anna Gebhardt, piano

Lied vom Winde
Mörike-Lieder, no. 38
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Catalina Geyer, mezzo-soprano | Lucas Huber Sierra, piano

Nachtzauber
Eichendorff-Lieder, no. 8
Music: Hugo Wolf (1860-1903)
Text: Joseph Karl Benedikt, Freiherr von Eichendorff (1788 – 1857)
Lieder.net
Sina Günther, mezzo-soprano | Lucas Huber Sierra, piano

Nachtviolen D 752
Music: Franz Schubert (1797 – 1828)
Text: Johann Baptist Mayrhofer (1787 – 1836)
Lieder.net
Luzia Ernst, mezzo-soprano | Lucas Huber Sierra, piano

Sunday, January 28, 2024

Workshop Closing Concert

Sunday, January 28, 2024 Workshop Closing Concert Program

Program PDF (Deutsch)

Program is subject to change without notice.

Sunday, January 28, 2024
Workshop Closing Concert
3 pm CET / 9am EST

Das Ständchen
Eichendorff-Lieder, no. 4
Music: Hugo Wolf (1860–1903)
Text: Joseph Karl Benedikt, Freiherr von Eichendorff (1788 – 1857)
Lieder.net
David Kennedy, baritone | Elitsa Desseva, piano

An die untergehende Sonne D 457
Music: Franz Schubert (1797–1828)
Text: Ludwig Gotthard Theobul Kosegarten (1758 – 1818)
Lieder.net
Aiko Bormann, soprano | Lucas Huber Sierra, piano

Auflösung D 807
Music: Franz Schubert (1797–1828)
Text: Johann Baptist Mayrhofer (1787 – 1836)
Lieder.net
Sina Günther, mezzo-soprano | Wan-Yen Li, piano

Die Götter Griechenlands D 677
Music: Franz Schubert (1797–1828)
Text: Friedrich von Schiller (1759 – 1805)
Lieder.net
Luzia Ernst, mezzo-soprano | Elitsa Desseva, piano

Der Tod und das Mädchen D 531
Music: Franz Schubert (1797–1828)
Text: Matthias Claudius (1740 – 1815)
Lieder.net
Maria Tilibtsev, Elitsa Desseva

Der Jüngling und der Tod D 545
Music: Franz Schubert (1797–1828)
Text: Joseph von Spaun (1788 – 1865)
Lieder.net
David Kennedy, baritone | Anna Gebhardt, piano

Der Genesene an die Hoffnung
Music: Hugo Wolf (1860–1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Sina Günther, mezzo-soprano | Anna Gebhardt, piano

Auch kleine Dinge können uns entzücken
Italienisches Liederbuch, no. 36
Music: Hugo Wolf (1860-1903)
Text: Paul Heyse (1830 – 1914)
Lieder.net
Michèle Bréant, soprano | Wan-Yen Li, piano

Mausfallen-Sprüchlein
Sechs Lieder für eine Frauenstimme, no. 6
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Maria Tilibtsev, mezzo-soprano | Wan-Yen Li, piano

Der Tambour
Mörike-Lieder, no. 5
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Bruno Meichsner, baritone | Lucas Huber Sierra, piano

Auf dem See D 543
Music: Franz Schubert (1797–1828)
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
Sina Günther, mezzo-soprano | Lucas Huber Sierra, piano

Der Winterabend D 938
Music: Franz Schubert (1797–1828)
Text: Karl Gottfried von Leitner (1800 – 1890)
Lieder.net
Bruno Meichsner, baritone | Elitsa Desseva, piano

Willkommen und Abschied D 767
Music: Franz Schubert (1797–1828)
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
David Kennedy, baritone | Anna Gebhardt, piano

Heimliches Lieben D 922
Music: Franz Schubert (1797–1828)
Text: Karoline Louise von Klenke (1754 – 1802)
Lieder.net
Catalina Geyer, mezzo-soprano | Wan-Yen Li, piano

Der Gärtner
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Luzia Ernst, mezzo-soprano | Wan-Yen Li, piano

Zitronenfalter im April
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Michèle Bréant, soprano | Elitsa Desseva, piano

Du denkst mit einem Fädchen mich zu fangen
Italienisches Liederbuch, no. 36
Music: Hugo Wolf (1860-1903)
Text: Paul Heyse (1830 – 1914)
Lieder.net
Michèle Bréant, soprano | Elitsa Desseva, piano

Nimmersatte Liebe
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)
Lieder.net
Catalina Geyer, mezzo-soprano | Anna Gebhardt, piano

Die Männer sind méchant D 866/3
Music: Franz Schubert (1797–1828)
Text: Johann Gabriel Seidl (1804 – 1875)
Lieder.net
Maria Tilibtsev, mezzo-soprano | Elitsa Desseva, piano

Du liebst mich nicht D 756
Music: Franz Schubert (1797–1828)
Text: August von Platen-Hallermünde (1796 – 1835)
Lieder.net
Catalina Geyer, mezzo-soprano | Anna Gebhardt, piano

Du bist die Ruh D 776
Music: Franz Schubert (1797–1828)
Text: Friedrich Rückert (1788 – 1866)
Lieder.net
Michèle Bréant, soprano | Elitsa Desseva, piano

Anakreons Grab
Music: Hugo Wolf (1860-1903)
Text: Johann Wolfgang von Goethe (1749 – 1832)
Lieder.net
Luzia Ernst, mezzo-soprano | Lucas Huber Sierra, piano

Auf einer Wanderung
Music: Hugo Wolf (1860-1903)
Text: Eduard Mörike (1804 – 1875)Lieder.net
Aiko Bormann, soprano | Wan-Yen Li, piano

In cooperation with

:

Pierre Boulez Saal

The goal of the Pierre Boulez Saal is to offer “Music for the thinking ear”: audiences are invited to listen actively and to experience sound with all senses, letting emotions, thoughts, and visual as well as aural impressions come together to create a complex whole. The “thinking ear” does not represent the abstract or cerebral, but rather a sort of sensuousness—not unlike “grasping” a particularly beautiful or unusual object. This extraordinary concert hall provides a space for dialogue in which music can be shared on multiple levels. Many influences—cultural, artistic, humanistic, architectural, and historical—combine to create a place where people should be able to communicate, to listen, and to understand.

Visit site
:

Heidelberger Frühling Liedzentrum

Partner since its founding in 2016

Visit site

Part of

Heidelberg Lied Academy

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